Huaqing Jin’s “Blossom with Tears” concentrates on two youngsters, Yuan and Xiang, as they go through research and coaching at Wuqiao Acrobatic University in Hebei Region, Chinese suppliers. Their tale is one of struggling and achievements, and follows the constant workouts and tortuous methods they must perform every day as they battle to enhance their abilities. The stress on the kids is tremendous, as they endeavor not only for themselves, but for their loved ones, holding with them their desires of a better upcoming. Yuan and Xiang each have their own individual issues, and the two are impacted both actually and mentally as they understand to try and discover pleasure in their lifestyles against this background of extreme competitors.
“Blossom with Tears” is an extremely shifting documented, and it’s suitable that Huaqing Jin was granted the famous 2012 UNICEF Award for his initiatives, the film having been chosen from 335 records from almost 60 nations for identifying and illustrating interest to the serious facts that kids in some places of Chinese suppliers are exposed to. The film unflinchingly represents the serious lifestyles of its primary protagonists, many of the everyday workouts that Yuan and Xiang have to adhere to making for agonizing and challenging watching. While some may affiliate gym and acrobatics as being for healthier work out or fun, here they are dangerous serious, and come with a cost, as seen in one field where Xiang has to keep a agonizing handstand for six moments, and another where Yuan challenges to rotate a huge drum with her legs. Away from their houses and family members, a terrible lack of child years and purity is noticed, the kids becoming surrogate mother and father themselves as they take care of each other.
Blossom with Crying (2012) Movie Image
Though catching the kid’s circumstances in itself is achievements enough, Jin also goes into the factors behind their existence at the acrobatics school, which contributes another part of psychological participation and public comments to the film. Yuan and Xiang, like many of their class mates, come from limited background scenes and lesser places, and with their mother and father dealing with hardship, divorce and illness, they are compelled to take the anxious goals of their loved ones on their young shoulder area. Fortunately, Jin is an knowledgeable documented film director (his performs, which also consist of “Living with Shame”, “Heavy Metal” and “Lament of Yumen” have won 27 worldwide prizes between them), and controls to prevent taking too many inexpensive photos or yanking at the heartstrings in representing this.
“My mother and father pin great desires on me. They want me to be effective so that we can shift to reside in the town. I must be excellent in the troupe,” says Yuan in the film, with Xiang trying to discover achievements so that he can help his family pay for costly eye surgery treatment for his young sis. It’s this type of detail that creates “Blossom with Tears” more than just an reveal of the serious lifestyles of kids, and Huaqing Jin provides here an often heart-breaking look at broader public issues in contemporary Chinese suppliers that unfortunately have no easy response.