The Hundred-Foot Journey movie review


112-300x151The Hundred-Foot Journey

The Hundred-Foot Journey Release Date: August 8th, 2014

The Hundred-Foot Journey Starring:
Helen Mirren Sally Mirren

Om Puri Om Puri

Manish Dayal Manish Dayal

Charlotte Le Bon

Amit Shah Amit Shah

The Hundred-Foot Journey Meter: 60%

The Hundred-Foot Journey Director: Lasse Hallström

The Hundred-Foot Journey Writer: Steven Soldier, Rich C. Morais

The Hundred-Foot Journey Studio: Walt Walt disney Pictures

The Hundred-Foot Journey Genre: Drama, Comedy

{adinserter 4} “The Hundred-Foot Journey” is a movie that specifications that you take it seriously. With its feel-good designs of recent understanding, it is about Something Important. It even comes with the closure of approval from titanic deliver ship tastemakers The well-known variety the famous variety oprah Winfrey and Steven Spielberg, who both offer as producers. What more efficient could you probably need?


There’s something familiar about the treacly and sanctimonious way this movie is being loaded. It reeks of late-‘90s/early ‘00s Miramax fare: films with elegant yet well-known ad techniques and unabashed Oscar desires which suggested that seeing them (and, even a larger part, voting for them) would make you a better personal. Movies like “The Cider Home Recommendations,” “Chocolat” and “The Distribution Details.” Movies by Helpful movie home Lasse Hallstrom.


Hallstrom just happens to be the movie home here, as well, and the similarities to “Chocolat” are inevitable. Stop me if think you’ve noticed this one before: Kids associates goes into a amazing but closed-minded France city and beverages aspects up with an eye-catching variety of food preparation foods. This new company happens to sit across the street from a conventional and identified creating that’s a city value. But the foods in question isn’t a bon bon this time—rather, the movie is the bon bon itself.


But despite being handsomely developed, well provided and even absolutely enjoyable, “The Hundred-Foot Journey” is also conventional and expected. And for a movie that’s all about beginning up your emotions and examining hot, exclusive choices, this comic situation is entirely too protected and even a little boring.


What livens aspects up, though, is the connections between Sue Mirren and Om Puri as battling cafe supervisors operating across the street from each other—100 feet away from each other, to be real, a brief but loaded trip that various numbers take for various aspects. Watching these professional superstars stoop to eliminate each other provides a frequent source of fun. She’s all exclusive viewpoints, stunning looks and biting quips; he’s finish joviality, dynamic explosions and warmhearted beneficial perspective. The evaluation between the British Oscar-winner and the Local indian native executing story provides the only pressure in this otherwise sleek and gooey dish—that is, until the movie goes all sleek and gooey, too.


Mirren superstars as Madame Mallory, owner of Le Saule Pleurer (The Weeping and moping Willow), an fashionable and expensive France cafe that’s the champ of a well-known Michelin superstar. But one superstar isn’t enough for the coldly inspired Mme. Mallory—she wants another, and then another.


{adinserter 4} But her bloodless desire for fantastic elegance is disrupted by the overall look across the street of an Local indian native family: the Kadams, who’ve been exploring Europe ever since their beloved cafe in your home used off down during government rioting. When the feet brake on their car malfunction on a risky increase of awesome scenery, Dad (Puri) specifications it’s a sign from his delayed partner and selects to begin a new cafe in the amazing city at the end of the hill.


Never ideas that one of the most identified cafes in all of France is sitting right across the street from the empty creating he rents. Never ideas that they are in an insular part of the country where the people probably don’t even know what Local indian native unique snacks is, much less like it, as his children part out. He has believe in in his food—and in his son, Hassan (Manish Dayal), a awesome, young prepare.


Just as Dad and Mme. Mallory strike up a sparky competitors, Hassan likes a sexy relationship with France sous prepare Marguerite (Charlotte Le Bon, who conducted an beginning style and muse in the newest “Yves St. Laurent” biopic). The program from Steven Wright (who also wrote the far more challenging “Locke” from a few several weeks ago, as well as “Dirty Pretty Things” and “Eastern Promises”) is finish of such fresh parallels, as well as moderate and incredibly easy statements about how foods encourages remembrances. Dayal and Le Bon do look wonderful together, though, and talk about a light, enjoyable substance make up.


Then again, it all looks lovely—both the France and Local indian native dishes as well as the luxurious, shifting atmosphere, which we see through all four seasons; the execute of cinematographer Linus Sandgren, who lately taken “American Afflication.” This quickly eye-catching combination of elements would appear to have been appropriate if the movie didn’t take a insane and needless detour in the third act. That’s when it becomes an even less interesting movie than it already was, regardless of its loftier desires.