“Kun 13: Demeaning Ai Weiwei and Wu Haohao” is part of trial film and documented manufacturer Wu Haohao’s Kun sequence, along with “Kun 1: Action!” (2009), “Kun 2: Demeaning Shaoguang” (2009) and “Kun 3: I Love Liang Kun” (2011). Known as by many in Chinese suppliers separate film sectors as ‘Little Godard’, Wu is an specialist and trial film director from Taiyuan, in Shanxi Region, Chinese suppliers, who explains himself as an separate film manufacturer, poet, loner and fan, and who started creating movies in 2007, generating impressive performs that play around with the documented type.
Another extremely innovative and uncommon providing, the film maps Wu’s trip to Ai Weiwei’s studio room on a winter time morning hours truly and the damaged discussion which ensued. Taken in one unedited take, the film represents how Wu, easily becoming anxious and disappointed with Ai’s behaviour and solutions to his concerns, starts to reply in his own passive-aggressive way. Their discuss includes (often awkwardly) a wide range of subjects which range from their views on contemporary Chinese suppliers community, the Chinese suppliers govt and Communist Celebration, as well as art, film and more. Gradually, Ai’s irritation at Wu develops, and the feelings sours as the two become progressively crucial of each other.
Kun 13 Demeaning Ai Weiwei and Wu Haohao (2010) Movie Image
As with many of his other movies, Wu Haohao’s “Criticizing Ai Weiwei and Wu Haohao” requires a simple assumption and a very primary film creating type, and playfully makes it into something amazing and exclusive. Though the film director explains the film merely as “This is how it happens. This is how time and space heaps up”, there happens to be lot going on here, and it performs both as an engagingly historical discussion part and as a more informing deconstruction of the personality of the specialist. In this case, as recommended by the headline, the deconstruction is of both the film manufacturer and his topic, with Wu ongoing his exercise of placing himself front side and center in his perform, resting himself start for critique and using the digicam as a technique of discovering his own faults and complications. In contact with on a wide range of recent Chinese suppliers problems, the film indicates a authentic effort by Wu to achieve a higher knowing not only of Ai and his perform, but also of himself, and by asking one of China’s most important and questionable performers, he efforts to get to the center of what pushes him in order to appear sensible of his own perform and part in community – as with the relax of the Kun sequence, the film can be seen as a call to hands of types.
Thanks to his strong increase to international popularity, Ai Weiwei (who was caught and imprisoned a year after the film was made) hardly needs an release. The audience recognizes a different side to the specialist here, and it’s to Wu’s credit that he never allows Ai to take center level in their discussion. The results are crazy, looking and unusually stressed, creating “Criticizing Ai Weiwei and Wu Haohao” a important and very pleasant part of trial documented film creating.