Roy Movie Review


A filmmaker finds himself in a love triangle with his girlfriend and the criminal who is the subject of his movies.

Release date: February 13, 2015 (India)
Running time: 146 minutes
Music composed by: Amal Malik, Meet Bros Anjjan, Pritam Chakraborty, Ankit Tiwari


Suspense-thrillers have always been one of the favorite styles of Bollywood fans. Add to that some melodious music and you have a champion. This week’s launch ROY featuring Arjun Rampal, Ranbir Kapoor and Jacqueline Fernandez have guaranteed the above components. Will ROY create the cut and become a coordinate champion for its creators and the B-O ms windows… let’s analyze.

The movie begins off with an meeting of the movie manufacturer Kabir Grewal (Arjun Rampal), the very man who, has to his credit score, the effective movie sequence ‘Guns’ (which is depending on a strange art robber Roy (Ranbir Kapoor). The paradox of Kabir’s lifestyle is that he is in the information for his short-lived flings than his hit films… so much so that, even the press ‘remembers’ his flings by figures and not names!

Roy is a smooth-operator robber who creates a residing out of taking artistry (read ‘priceless paintings’). And in one such heist, he areas up in Malaysia, which also happens to be the sector of the rich Tia (Jacqueline). At the same time, affected by a ‘writer’s block’, Kabir too areas up in Malaysia to be able to capture an imperfect movie script of his third hit of ‘Guns’. That’s when he areas up conference a London, uk centered film manufacturer Ayesha Aamir (Jacqueline Fernandez, in a dual role). Ayesha, who is in Malaysia to movie her new documented, also happens to examine into the same resort as Kabir. Before you know it, she areas up becoming his ‘Girlfriend No.23’, as the press reviews. Kabir, who is in look for of motivation for his movie areas up dropping go over pumps in really like with Ayesha Aamir, so much so that he becomes crestfallen when Ayesha results in him. At the same time, Kabir’s dad cum confidante (Anupam Kher) also dies, thus creating Kabir’s lifestyle more unpleasant. However, Roy, who understands his really like for Tia, wants to keep the bad legal lifestyle behind him and begin fresh.

Will the ‘self-confessed-thief’ Roy become effective to create his previous behind and begin a fresh lifestyle with Tia, will Kabir handle to finish the third hit of Weapons, and do Roy and Kabir get the specific really like of their lifestyles… is what types the relax of the movie.

As far as the movie is involved, debutante Vikramjit Singh actions into Bollywood with a movie that is slowly moving and lengthy. His feeling of storytelling needs to be more refined than this one. Brownie factors to Singh for having taken the attractive attractiveness of Malaysia in its raw substance. He should have created some efforts to distinguish between the two figures which Jacqueline performs, as it might mix up the audience between the two similar experiences.

As far as the activities are involved, as the name indicates, its Ranbir Kapoor who takes the magic. In all equity, he is indeed the attract of the movie. He is skilled and completely at convenience when managing extreme moments. Even though he gives a reasonable proportion of secret to ‘Roy’, he never allows himself to go off-guard. As far as Arjun Rampal is involved, he provides a very controlled and a very credible efficiency. At the same time, understanding his performing expertise, one also seems that, he definitely could have managed the movie with furthermore carefully than this one. Even though Jacqueline Fernandez, who looks amazing in a number of music, is a ‘newcomer’ when it comes to dual positions, she does handle to provide a reasonable efficiency in both the positions. Anupam Kher performs exceptionally well in the part that seems to be tailor-made for him. While Cyrus Broacha and Rajit Kapoor are regular, the eye-candy Mandana Karimi creates her existence experienced in a temporary cameo.

The movie ratings intensely on its music (Amal Mallik). The music ‘Sooraj dooba hai’, Tu hai ke nahin’, ‘Chittiyaan kalaiyaan’ are already a anger everywhere and it remains with you for a lengthy period even after the movie is over. The film’s music (Sanjay Chaudhary) contributes some more extra liven. The film’s choreography (Ahmed Khan) is excellent. Despite the film’s category, there are no over-the-top dialogues (Vikramjit Singh, Hussain Dalal). Cinematography (Himman Dhamija) is very elegant. Screenplay (Vikramjit Singh) on the other side definitely could have been better.