Sulemani Keeda

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Sulemani Keeda

Sulemani KEEDA poster

Two struggling writers peddle their mediocre screenplay in Bollywood.
Initial release: September 30, 2014
Director: Amit Masurkar
Running time: 90 minutes
Screenplay: Amit Masurkar
Music composed by: Arfaaz Kagalwala, Anurag Shanker

 

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Review: So, Sulemani Keeda is a friend funny that brings up the unique Chashme Buddoor, guys discussing goals, wishes and the lease. Here, Dulal (Naveen) and Moinak (Mayank) create Bollywood programs, banging at filmmakers’ gates (in a very funny experience, Mahesh Bhatt provides them vaporous opinions but no break) while handling really like, libidos and their landlord’s son. {adinserter 4} The duo satisfies Gonzo Kapoor (Karan), aging star-son who wants a program complete of orgies and arty sources. But as they begin composing, Dulal drops for Ruma. With stress preparing, whom does this keeda lastly bite?

Sulemani Keeda indicates a worrying discomfort in the rear which won’t let authors sit still. The tale is clean and certain series – fuzzy-haired Moinak trying to choose up ladies in a bookshop by swiftly cheerful, “Like Wodehouse?” or Dulal studying a formula from his mom on the cellphone, disturbed by an climax performed full-volume from the next space – are very funny. Some activities, particularly Mayank as foul-mouthed Moinak and intense, weak Gonzo, take a position out. The dialogues – ‘Delhi se aaya hai – but rape-wape nahin karta’ – are fun, catching the ironies of a town complete of guys, pseuds and some authentic skills, having difficulties to take in.

{adinserter 4} But there are indicated disadvantages too. The greatest is the cinematography, trying different requires and so-cool photos – sweets get flossing glimmering in the breeze, bhuttas, black-and-white reduces, movement including a cat – hanging out. The movie increases in directly moments concentrating on exaggerated Gonzo and the pitiable authors. It shakes elsewhere, with crudities that don’t entertain, with stopovers at Gonzo’s farm house, populated by the censor panel primary and his towel-clad time period. This winding is a disgrace for at periods, the tale catches that real-life air clinging between adolescents, discussing of sun-signs and sex, problems and achievements.

 

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