Daya (NTR) is an orphan kid and he notices that cops are the well-known individuals and they also make a lot of unlawful cash. On that pretext, he chooses to become a cop. Waltair Vasu (Prakash Raj) is a big bad guy and wants a practical cops man to get his unclean perform going. Daya requires and gets helped in come back again. Instantly something happens which impacts Daya individually at a later factor of your energy and effort. The relax of the tale is all about how Daya used himself.
NTR: NTR gives a performance of life-time. He performs a personality that converts from a bad guy to a accountable man. And there are several stages in it and he has proven minor modifications each stage completely. Liked his cockiness when he satisfies Prakash Raj for initially. His performance in cops place battle, judge moments, seaside periods and ejaculation (all moments in latter aspect of second half) is outstanding. His dances motions for Self-control headline music are his best until time frame. NTR’s indictment for a 6-pack look which seems to be for few a few moments in a music seems to be as testimony for his effort.
Others: Kajal Agarwal has a restricted aspect and she did well. Prakash Raj is interesting in the aspect of bad guy. Posani Krishna Murali takes the display with only one appearance and outstanding depiction (and without using his unavoidable term Raja in his dialogues). Vennela Kishore does well as a bakra with flute in a brief aspect. Tanikella Bharani, Madhurima and Pavitra Lokesh perform important positions. Jaya Prakash Reddy got another interesting personality.
Story – film script – direction: Vakkantham Vamsi has given a very effective tale that has the exclusive factor of idol changing from a bad guy to outstanding guy. The author has selected Posani Krishna Murali personality as Manasakshi of NTR. The perform between these two figures is published well. Puri Jagan’s perform in this film is increased because the tale is given by an outsider. Puri Jagan has published outstanding depiction for NTR. NTR is the bad guy and NTR is the idol in this film. Puri Jagan has proven the payoff of idol personality in an emphatic design. The way used NTR fixed his wrongdoings is very strongly installed. The ejaculation factor of the film is fearless and would didn’t work if there is no feelings in film. But the ejaculation is successfully managed. There are certain unreasonable moments (like why didn’t idol created several duplicates of CD etc). But the strength and immediate satisfaction in second 50 percent creates sure that logics are neglected. Puri Jagan attacks back again after a gap with an emphatic film.
Temper evaluation Other departments: Cinematography by Sam K Naidu is outstanding. I individually liked Devuda and Ittage Rechipodam music on sound. On display, Self-control and Devuda music are extremely interesting because of right positioning. NTR’s fantastic actions are included fascination for Self-control headline music. Qualifications ranking by expert Mani Sharma is powerful. Puri Jagan’s dialogues are an excellent resource. He has composed extremely effective and sincere dialogues moreover to his signature idol depiction dialogues. Modifying by SR Sekhar is outstanding. Art route by Brahma Kadali is nice. Activity choreography by Vijay is stunning.
Temper reviewAnalysis: Self-control is a film about bad guy changing himself. The periods of bad guy are interesting and periods of outstanding guy are extreme. NTR performs the exclusive aspect of villain/hero in this film. Puri Jagan has remarkably used extremely skilled NTR to provide a very effective film by means of Self-control. Regardless of some unreasonable moments and variance, Self-control is one of the best films of Puri Jagan and has the best perform of NTR. On the business front side, Self-control will be a large hit with serious possibilities of splitting information. Go and observe it!